12/9/2022 0 Comments Mesh unfolderThat ease is epitomized by “A Sudden Swing”, where she rises and falls alongside the curves of a piano’s path with classical beauty. Wallumrød has the sort of stainless tone that could lead soft jazz outfits toward the tops of adult-contemporary charts. It's a singular world built of two very individual talents, each gifted with the plasticity to turn a mere live collaboration into a true relationship.Īs the title implies, the dual stars are the singers’ voices themselves. Meshes of Voice mirrors the multimedia ambition of Laurie Anderson and aligns itself with the self-referential complexity of Joanna Newsom and Dan Bejar. The tale twists through dream states, mythological allusions and impressionistic analogies, which the sounds match through a web of halcyon ballads, harsh-noise expositions and fragmented art-rock. These 15 interconnected pieces unfold a surrealistic saga where the narrator wakes to find “I have lost my soul”-at the bottom of a black lake, no less. The pairing feels tantamount to asking Chan Marshall link up with with Annie Clark because they’re both critically appreciated American female singers.īut that stylistic frisson and the shared willingness of Hval and Wallumrød to explore such tension is one of the greatest strengths of Meshes of Voice, the transfixing result of a 2009 live collaboration and one of the best records of either’s career. She embraces sonic bedlam and mischief, funneling both into songs with deeply psychological underpinnings. Hval, meanwhile, began 2013’s Innocence is Kinky by whispering, “At night/ I watch people fucking on my computer” over a slyly lurid beat. Wallumrød has reworked the songs of Henry Purcell with a classical harpist and offered her perfect, patient coo to sublime covers of Thin Lizzy and Black Sabbath, Tom Petty and Will Oldham last year, she issued a beautiful song cycle with the chamber group Ensemble neoN. Hval is the tempestuous imp to Wallumrød’s version of graceful austerity. Yes, they are both female Norwegian singers-strong leaders and writers with consistently compelling visions for the music they make, too-but that’s where the similarities seemingly cease. The temptation at the suggestion of a collaboration between Jenny Hval and Susanna Wallumrød is to bristle.
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